mt-padalecki:

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• Herman Merville:“Call me Bella.” A tome about the length of the original series investigates Bella’s monomanical search for the vampire who stole her virginity. There’s an entire chapter devoted to describing the devastating whiteness of Edward’s skin, and several on the physiognomy of vampires, starting with their skeletal structure outward.
• Virginia Woolf:The novel takes place over the course of twenty four hours, during which Bella is painting a portrait of Edward and reflecting on how her femininity circumscribes her role within 20th century society.
• Jane Austen:Basically the same as the original, except that Bella is socially apt and incredibly witty. Her distrust of Edward is initially bourne out of a tragic misunderstanding of his character, but after a fling with Jacob during which he sexually assaults her (amusing to no one in this version) she and Edward live happily ever after.
• Ernest Hemingway:Edward and Bella exchange terse dialogue alluding to Edward’s anatomical problem. Eventually, Bella leaves him for Jacob, a local bullfighter with a giant…sense of entitlement.
• Ayn Rand:Edward tells Bella that he intends to stop saving her life, unless she starts paying him in gold bullion. Hatefucking ensues, then Jacob spouts objectivist philosophy for the next 100 pages.
• HP Lovecraft:Edward cannot reconcile his own horror at becoming a vampire. He rapes and kills Bella but attributes it to the desires of an ancient Deity outside our power to understand. Everyone thinks it’s ok because he calls his devil by a cutesy name.
• Haruki Murakami:Bella has sex with Edward, who is half a ghost. Jacob is a talking cat. Most of the prose is given over to descriptions of Bella making pasta.
• Douglas Adams:Bella is the last of a discontinued series of robots made to emulate the now extinct human race. She whines gears and randomly pouts moronic gibberish while falling over. She is accompanied on her travels across the cosmos by Edward, a sparkly giant space banana and Jacob, a small wooden box of doom.
• Dan Brown:Bella is a famous scientist who specializes in folklore. She is contacted by Edward, an old and well respected friend who is an expert in history, indicating that someone has been murdered in Forks. When there he is greeted by Jacob who acts as her guide to the new town. They have an intimate relation as they track the mysterious “cold ones”. With Edward's help they are led on a wild goose chase only to realize that he was responsible for the murder in the first place.
• Chuck Palahniuk:Bella, who is never explicitly named, carries on relationships with both Jacob and Edward who are actually both alter-egos of the guy who almost hit her with his car in the first book. The entire book is written in diary format from the point of view of her spleen.
• J.K Rowling:Jacob, Edward and Bella are best friend throughout their schooling years while hormones flair and they defeat evil forces. Bella continuously rages and scolds against Edward for being emotionally inaccessible while Jacob awkwardly tags along as the third wheel even though he’s the main character.
• Terry Pratchett:Bella is a troll from the mountains who falls in love with Edward, a charming, handsome assassin. They have various adventures in a parallel universe until Jacob, who is Edward in the future, disrupts everything by being heir to the throne. Bella nearly dies but is saved by Edward/Jacob + a comical, mythical ingredient. Instead of 4 books there are 103.
• Neil Gaiman:The story begins with a song. Then the song creates the world. Then major, minor and demi-gods appear. A hero’s journey in hell occurs, with Edward starring as the brooding, pissed off vampire who can’t drink blood because of a spell and must go to hell to break the spell. A duel of philosophical/existential dimensions ensue. Somebody gets swallowed up in a vagina. Edward saves the world by singing.
• Stieg Larsson:A tale of political conspiracy that reads like a cross between The X Files and Sucker Punch.

Turns out Extremely Loud & Incredibly Close was nominated for Best Picture in this year’s Oscars! I guess it’s safe to say that the men behind the film’s production did the book some justice, despite the fact that I highly doubt the movie will bag the trophy as it’s alongside strong contenders like The Descendants, Hugo and The Artist. Needless to say, I am excited to see this one on the big screen. Always have, always will.